I know a lot of you are loving the way The Dark Knight has reached out to fans by sending you all on scavenger hunts, but to me this is the best way for a fan to get his fanboy jollies. This weekend Peter Jackson and Guillermo del Toro participated in a live, online chat in which the answered just about anything and everything fans could throw at them about The Hobbit. The result was a little of that old familiar Lord of the Rings magic, the kind of excitement that no movie has been able to duplicate since.
The chat isn’t particularly filled with revelations. As Jackson and del Toro repeatedly point out throughout, it’s still early, and they haven’t even written a script. But they do their best to let fans know where their heads are at, and what they have in mind for The Hobbit and the future of the Lord of the Rings universe.
Particularly noteworthy is Guillermo del Toro’s absolutely geeked out excitement over the chance to bring Smaug to life. Apparently he’s something of a dragon nerd, and he’s committed to making this “The” dragon. They also talk a little about casting, and their total commitment to make sure any LOTR characters who appear in this film are played by the same people who played them in the previous one, come hell our high water.
We’ve got the complete chat for you below. It’s long, but if you’re looking to get your Hobbitbone a tingling, this is the absolute best way to do it. It’s my fervent hope that this is a sign we’ll be treated to more of the fan friendly online interaction we were treated to during the production of the first Lord of the Rings movies. I can’t imagine anything better. Give it a read:
Hobbit Fans Web Chat With Guillermo del Toro And Peter Jackson
Peter Jackson: Hi this is Peter here, great to talk to all of you. It is a rainy Sun
morning down here in NZ, hopefully there is sun shining where you
are. Over in London we have Guillermo on the other end of his
computer, and he'll be coming on to say hi. A quick note, we will deal
with the 20 most popular questions that have arrived over the last 2
weeks during the course of the hour, but would love to answer as
many as we can from as many of you on this chat and who want to
fire additional questions. So let us get underway. Hi Guillermo, are
you ready?
Guilermo del Toro: Hi! Guillermo here- Its a b it cloudy in London but people are already
drinking out on the streets- God Bless the pubs-
WetaHost: Here's the first question: 20 - Will you be doing less location shooting
this time because your set builders, digital effects teams etc have
become so proficient?
Peter Jackson: We have them in a super exciting count down form and will start with
Q20. We have chosen 1 questino but in the case of these 20 they
represent many 100s of similar questins.
WetaHost: 20 - Will you be doing less location shooting this time because your
set builders, digital effects teams etc have become so proficient?
Peter Jackson: Middle-earth is location, with very few structures really. It's a natural
countryside and that's where a lot of shooting will take place.
Guilermo del Toro: Location will be favored and real set construction.
Guilermo del Toro: I love REAL set construction and think that sets are very important
part of the storytelling and scope of a film...
bmeade Are we starting?
Peter Jackson: Hi bmead - we are underway, great for you to join us!
Guilermo del Toro: We are,. Welcome-
AnthonyPearson What are your plans with the casting of Bilbo Baggins? Is Ian Holm
still an option?
Guilermo del Toro: The fact that Ian Holm is SO memorable means that PJ, Fran and PB
did their job right. We will utilize him in some fashion for sure but
the difficulty of th erole will be better assesed after we do the script
(s).
DavidPlaice: Will there be any locations outside New Zealand, e.g. the Welsh
Marches for The Shire?
Peter Jackson: Hi David - It is unlikely we will need any locations outside of NZ
which has always been the perfect Middle Earth. there is nothing yet
that tolkien has described that we haven't managed to find in this
amazing little country and I expect the Hobbit to be no different.
Guilermo del Toro: NOne being considered at the moment.
2
aust Will Howard Shore be returning to do the score?
Guilermo del Toro: Yes- absolutely, Shore is teh VOICE of these films and we will
absolutely be invited back. Peter and Fran have talked to him a couple
of times already and Ive exchanged emails about the subject. He will
return.
nolcai Hello. Are you planning to use some location in italy?
Peter Jackson: Hi nolcai it is unlikely we will shoot any of the Hobbit of Italy, but I
would love come to Italy for a vacation, you should tell me the best
places to visit.
Guilermo del Toro: Not really- But I love Italy...
Peter Jackson: Lets go to Q19 now
WetaHost: 19 - May i congratulate on your new appointment as director of The
Hobbit, Guillermo. My question is to Guillermo, what can we expect
from your vision and approach with this picture and I'm guessing
there will be alot of dark elements to this film, but how far will you
go in terms of horror and violence?
Guilermo del Toro: I hope that Mirkwood can be pretty scary but not graphic, I hope
Riddles in the dark has an element of fear and suspense and to be
deeply atmospheric but still allow the ingenious, engaging contest to
take place. And Smaug should be all shock and awe when he
unleashes his anger so, it will be pretty intense but not gorey.
icaroz Will the Ring trilogy get a blu-ray release around the time of Hobbit?
or sooner?
Peter Jackson: Hi Icaroz - We are working on a blu ray version of the LOTR trilogy
with Warner Bros at the moment, not sure when it is due for release.
It certainly won't be this year.
KenshinIV: What are the chances Ron Perlman will be voicing Smog?
Guilermo del Toro: At this time the voice of Smaug is down to a very few choices in my
head and I have a completely specific one, Ron has a good chance but
I have other plans for RP... we will see...
Galdor_Felagund: Will you use the Hobbit holes usd in LotR?
Peter Jackson: Hi Galdor-Falagund - yes we hope with the permission of the land
owner that we will rebuild Hobbiton bigger and even better than what
it was for LOTR in exactly the same location
Peter Jackson: Here is Q18
WetaHost: 18 - Peter & Guillermo: What do you envision Gandalf's role will be
in this film? He seems to go off on his own and disappear in several
sections of the book. Do you want to stay faithful to that or give him a
more active role? How do you think you'll ingratiate his character into
an effective, cinematic storyline?
Guilermo del Toro: I believe that Gandalf is meant to be used in that way- coming and
going in and out of the narrative. If anything, this creates the perfect
setting for those “gaps” to be bridged by the second film…
Peter Jackson: Those gaps are great! There's a lot of stuff going on, which is
distracting him. I'm just pleased to be getting Gandalf the Grey back
for two more movies. Ian and I loved him best. We were a little sad
3
when the Gandy the White took over.
mwilcox Will you be filming the Hobbit in 3D?
Guilermo del Toro: At this stage it is too early to tell, but no plans are being made for that
at the moment...
RSG1050 Mr. del Toro, have you started keeping a notebook of sketches on this
film yet?
Guilermo del Toro: I have started already and shared some of the design a=ideas with
Alan Lee and John Howe during a very excited lunch in London.
RobbieM Will Ian McKellen return as Gandalf?
Guilermo del Toro: Absolutely!!
Peter Jackson: Hi Robbie - absolutely
Peter Jackson: Here comes Q17
WetaHost: 17 - Dear
Peter Jackson:, I enjoyed your cameos in the LOTR movies,
Will you have a cameo in this Hobbit, and what character would you
like to play?
Peter Jackson: I actually haven't thought about it. My convention is to do cameos in
films I direct. I don't know if that extends to films I produce. I guess
we'll find out. I love Hobbits! I am a Hobbit, in very many respects,
as were my parents. Tolkien wrote about a type of people he knew, in
pre-war England, and somewhere along the line, he must have
bumped into my relatives!
Guilermo del Toro: Unllike Peter, I'm a Dwarf ( a coarse creature I am)- but I studiously
avoid cameos…
Jessalyn: When do you expect filming to begin?
Peter Jackson: Dear Jesslyn - at this point in time the plan is to write for the rest of
this year and start early conceptual designs. 2009 will be dedicated to
pre-production on both movies and 2010 will be the year we shoot
both films back to back. Post productin follows one film at a time
with The Hobbit being released Dec 2011, and F2 release Dec 2012.
That is the schedule in about as much detail as we have ourselves at
the moment.
Peter Jackson: And Q16 ...
WetaHost: 16- Peter: What was it about Guillermo that made you feel he was the
right guy to continue on the saga of Middle-earth? Are the two of you
on the same page for the vision, direction, and style that these movies
will have? If the two of you disagree on a point, who wins out?
Peter Jackson: I'll talk more about this in a later question, but watching his films, he
has respect for fantasy. He understands it, he's not frightened by it.
Guillermo also understands character, and how the power of any
movie is almost always linked to how closely we empathize with
characters within the story. His work shows great care and love for
the main characters he creates. He also has supreme confidence with
design, and visual effects. So many film makers are scared of visual
effects - which is no crime, but tough if you're doing one of these
movies!
If we disagree, the director has to win, because you should never
force a director to shoot something they don't believe in. But we're
both reasonably practical and ego-free, and I believe that if we
disagree, we both have the ability to express our differing theorys -
state our case, like lawyers - and between us, work out what's best for
the movie.
Eriol So what age rating are you aiming at?
Peter Jackson: Hi Eriol - the rating will be the same as the Trilogy, PG13 on both
movies
Guilermo del Toro: An intense PG-13...
Reguba Will the Hobbit get an extended edition like LOTR?
Peter Jackson: Dear Reguba - interesting Q. The truth (and this is the truth) is that
you don't plan for extended editions up front an extended edition is
the result of left over scenes that have been deleted out of theatrical
cut. In an ideal world the script is written lean and tight and therefore
there are no scenes left on the cuttring room floor and therefore no
extended edition. However when writing 3 epic LOTR films there
was no way we could keep the writing process as lean, so the
extended edition was a result of seeing our thought process during the
writing and shooting play itself out on screen with scenes we no
longer needed when we finally cut the films together. Whether there
will be an extended edition of the Hobbit will depend entirely on the
final theatrical cut and what we have left over.
Guilermo del Toro: That one is REALLY too early to answer... but being a DVD freak
(now a B-Ray freak) I think that if you have enough alternative
material you can make it accesible on DVD (or B-R) format... Is not a
priori that one decides this.
Peter Jackson: Now for Q15
WetaHost: 15 - Will you be using the same production team ie. Special effects,
art directors, cinematographers, composer etc..
Guilermo del Toro: Many of them will be back. I will supplement the FX departments,
the design departments (with very interesting names), but the crew
will utilize as many of the original elements as possible.
elffan9 Will we be seeing Legolas in Mirkwood?
Guilermo del Toro: We all think that this is a very interesting idea but the scripts are in
process so- sorry,.. too early to tell.
Peter Jackson: And now Q14
WetaHost: 14 - In the Hobbit book, we have talking trolls and the Eagles and
Smaug talks as well, however in the LOTR Trilogy, trolls did no
more than grunt, Fellbeasts screamed, and the Eagles, who were
meant to talk, just stayed silent. How much will the portayle of such
animals change in the Hobbit?
Guilermo del Toro: I think it should be done exactly as in the book- the “talking beast”
motif has to exist already to allow for that great character that is
Smaug. It is far more jarring to have a linear movie and then – out of
the blue – a talking Dragon.
Yetzi did you start casting for the 13 dwarves?
5
Guilermo del Toro: Nope- no catsing has started yet.
Guilermo del Toro: Casting- I mean... BUt some people have thrown their helmet in the
ring.
Peter Jackson: Hi Yetzi - no casting has commenced and won't until the scripts are
written. We have had chats with one or two ofthe LOTR actors
however but the casting will be driven largely by the writing and it is
impossible to cast 13 dwarves without knowing their personality and
characters. We anticipate we won't be in serious casting mode for
these movies until well into next year.
Peter Jackson: Now for Q13
WetaHost: 13 - Hi. Do you intend to play this one by the Book (The Hobbit that
is) and make it a very light childrens tale on film, or do you plan to
stick with the much darker treatment- in keeping with the LotR films
- particularly the latter ones. My personal preference would be for the
latter - cannot see how eg. the Rivendell Elves could regress from
their nobility in LotR to those "...Tra-la-la-la...." singing versions
which wer in teh Hobbit Book. Thank you. "Tra-la-la-la" singing
Guilermo del Toro: We’ll see about the “Tra-la-la-“ later- but the book, I believe, in
echoing the “loss of innocence” England experienced after WWI, is a
passage form innocence to a darker, more somber state- The visual /
thematic progression should reflect that in the camera style, color
palette, textural choices, etc.
Peter Jackson: As I said earlier, I personally feel that The Hobbit can, and should
have a different tone. The "tone" of these stories shouldn't be defined
by the pressure our characters were under in LOTR. The world is a
different place at the time of the Hobbit. The shadow is not so dark.
However, what should stay the same is the reality of Middle-earth,
and the integrity we bring to it as film makers.
Shane Will the two movies be shot at the same time?
Guilermo del Toro: The idea is to shoot them "back to bacK" with a small break to
breathe and to reconstruct certain sets and have time to reasses... But
a schedule of a year is expecvted.
Peter Jackson: Hi Shane - Yes the movies will be shot back to back and the shooting
of the movie will be driven by which actors are working with us at a
given time and what locations we are in. For instance, if we are
shooting hObbiton scenes for Hobbit movies we would also shoot
Hobbiton scenes for F2. So during our year of filming we will be
shooting both movies at the same time out of sequence.
reel1 Hi, Guys. Was it intentional to release the first Hobbit film on the 10
year anniversary of FOTR?
Peter Jackson: Dear Razor - No this is the first time I have actually thought about it
... that is nice I will claim credit for the idea from this day forward
Peter Jackson: Q12 ....
WetaHost: 12 - Peter: During production of the trilogy, there were days where
there were several filming crews working simultaneously, with
different people directing. Would you ever want to head up a crew
and direct the shooting of a scene for a day?
Peter Jackson: Most directors prefer to direct everything themselves. I thought I
could on LOTR, but very quickly found out that the sheer scale
prevented it. Instead of a 15 month shoot, we would have shot for 3
years! Guillermo always shoots his own material, so we'll do our best
to construct a schedule that allows him to do that. It will depend a lot
on how the scripts break down.
I'd happily shot some second unit stuff, anytime Guillermo asked me
to. But let's see what happens.
Mr.Movie: Are you already go to New Zealand, Mr.Del Toro ?
Guilermo del Toro: Yes- Ive been actually been thyere already -secretly- shh- and will be
there shortly after HELLBOY II opens and will be getting a LOT of
frequent flyer miles in the next few months-
Peter Jackson: Hi Greg - F2 is referring to Film 2
Peter Jackson: Here comes Q11
WetaHost: 11 -
Guilermo del Toro: is an accomplished director. I just wondered
whether ok not, he will bring more prostetics, animatronics and
physical effects to the film, as he does with such films as Hellboy and
Pan's Labyrinth (which are great films by the way)? Or will Weta
Digital still have their work cut out for them with VFX?
Guilermo del Toro: I plan to mix CGI and PHYSICAL in such a way that your eye
wonders which is which- keep you mind busy but NEVER allowing
for the weaknesses of either tool to take over. Yes, I have, by trial and
error, learned that both tools need to be mixed and how much they
must be mixed to succeed in creating environments and living
creatures. WETA is the lead house, absolutely but we will expand the
creature team and beef up the prosthetics team. Imagine a physical
creature with a radio controlled muscle / facial system but with partial
CGI replacement on the head or mouth, etc and you’ll start to get the
idea…
Guilermo del Toro: And now for the question...
Vampireta: So how was your first meeting with each other?
Peter Jackson: Hi Vampierta - The first time I remember meeting Guillermo was at
Bob Shay's hosue during a LOTR party. Obviously at that time we
had no concept of what the future held!!
Guilermo del Toro: We finished a tray of shrimps together and agreed that NEW LINE
should keep hiring round, bearded directors with funny accents...
Peter Jackson: Q10 ....
WetaHost: 10- Hi there, thanks for giving this opportunity. my question: will
Alan Lee and John Howe be on board again? I really admire their
work. good luck for this project and have a lot of fun.
Guilermo del Toro: As aI said, I had a marvelous lunch with John and Alan in London a
few days ago and we all got very excited as we discussed my ideas on
Smaug, Mirkwood, etc They are most definetly back!
Peter Jackson: Impossible to imagine it without them!
Trotter_the_Ranger: What will be the title for the second movie?
Guilermo del Toro: Too early- but not "H2 Electric Boogaloo" that has been discarded.
Peter Jackson: Hi Trots - the second movie doesn't have a title yet and probably
won't until we write the script. As you will see we have the incredibly
boring name Film Two which I assure you will not last for very long.
Just bear with us.
tigerlily: Hello Beren, as no bugger is going to answer our questons we may as
well talk to eachj other! I guess we should have submitted questions
earlier on as it seems they are being answered!!!
Peter Jackson: Hi Tiger Lily - the buggers in Wgtn and London are wading through
6000 Q as best we can. Every Q answered represents a number of
similar questions.
Guilermo del Toro: As they say in Family feud: "Survey Says:"
Peter Jackson: Q 9 ...
WetaHost: 9 - Peter, perhaps you could clarify what your role will be in the
production of these films: What exactly does an executive producer
do? Will you follow that model or "forge your own path?" How will
Guillermo's role and your role be different? Do you plan on writing
the script again with Fran and Phillippa?
Peter Jackson: Truth is "Executive Producers" do a range of things on movies from a
lot to virtually nothing! I see myself being one of a production team.
My interest is helping Guillermo make the very best films he can. I
love writing and I'm looking forward to that. Guillermo will be
writing, along with Fran, Philippa and myself. As a director, I could
never direct something I didn't have a hand in writing, and we're not
expecting Guillermo to do that either. If the director is part of the
writing, it means he was there when the discussions took place, story
decisions were made ... he knows why things are the way they are,
and what they need to achieve. Everything is in a script for a reason,
and only by being part of a writing team (or writing it yourself), do
you really understand the intention of every beat.
I see my role as being part of that writing team, which will create the
blueprint, and then helping Guillermo construct the movie. I want
Guillermo to make his movies, and I want to make sure we end up
with a 5 movie series that's as good as it can possibly be.
Merlkir: any ideas about the talking wargs? the wargs in hobbit are remarkably
different from the "hyena" ones in the LOTR movies..
Guilermo del Toro: Absolutely: they will be different from the Hyena ones established in
the Trilogy- they will be faithful to the creatures in the book and will
be redesigned accordingly.
lordlinton: Loved the video diaries for King Kong, will you guys be doing
something similar for the Hobbit?
Peter Jackson: There is a lot of questions about production diaries for the internet -
the truth is that Guillermo and I haven't even discussed this topic yet,
now do we have a real plan in place for the internet and DVD side of
the film. You have to realise that although this was announced and is
all round the world we are at the very beginning of the process just
starting to think about the scripts. We are not trying to fob anyone off
but we simply haven't got that far in the process yet and it is a plan
we will put into place during the course of 2009.
Peter Jackson: Q 8 coming ...
WetaHost: 8 - I always thought creating Gollum would pose a great artisic
challenge to the artists whose job it would be to adapt the Lord of the
Rings. With the Hobbit I believe Smaug will pose one of the great
challenges. Now we have all seen dragons in movies. But for the
Hobbit I personally am excepting nothing less than unbelievable .
Were will you go for inspiration? What styles will the art dirction
look at? Personally I can see a lot being done with the setting from
Pan's Labyrinth. Thank you and good luck to you all.
Guilermo del Toro: This is a big one-- Allow me to quote form my random responses at
Onering.net…
I am a big Dragon fan. I've said it before- And I was fortunate enough
to be born a Dragon in the Chinese Horocope...
And although its always impossible to agree on the "greatest" of
anything, I bring forth these two as the main film contenders for that
title: Eyvind Earle / Disney's Maleficent dragon ( a triumph of
elegance of color and design) and Vermitrax Pejorative from
Dragonslayer.
In my opinion, every other design has borrowed heavily from these
two. I plan to create something new and groundbreaking.
Smaug should not be "the Dragon in the Hobbit movie" as if it was
just "another" creature in a Bestiary. Smaug should be "The
DRAGON" for all movies past and present. The shadow he cast and
the greed he comes to embody- the "need to own" casts its long
shadow and creates a thematic / dramatic continuity of sorts that
articulates the story throughout-
In that respect, Smaug the CHARACTER is as important, if not more
important, than the design. The character will emerge form the
writing- and in that the Magnificent arrogance, intelligence,
sophistication and greed of Smaug shine through-
In fact, Thorin's greed is a thematic extension of this and Bilbo's
"Letting go" and his noble switching of sides when the dwarves prove
to be in the wrong is its conceptual counterpart (that is a hard one to
get through, Bilbo's heroism is a quiet, moral one) and the thematic
thread reaches its climax in the Bilbo / Thorin death bed scene.
Anyway, back to Smaug: One of the main mistakes with talking
dragons is to shape the mouth like a snub Simian one in order to
achieve a dubious lip-synch. .. A point which eluded me particularly
in Eragon, since their link is a psychic one.
To me, Smaug is the perfect example of a great creature defined by its
look and design, yes, but also, very importantly, by his movement and
-One little hint- its environment - Think about it... the way he is
scaled, moves and is lit, limited or enhanced by his location, weather
conditions, light conditions, time of the year, etc. That's all I can say
without spoilers but, if you keep this curious little summary you'll
realize several years form now that those things I had in my mind
ever since doodling the character as a kid had solidified waaay before
starting the shoot of the film.
A big tool is also how and when he is fully revealed. I could give you
specifics- beat-by-beat in fact (I'm geeking out to do it), but...
I will say no more in order to save you from ruthless spoilerage (we
have a few years to go, you now...?) and increased anxiety.
Let me, however, say that this is actually one of the points I feel most
enthusiastic about.
As to his voice- well, each reader has a Smaug voice in his / her head,
just like you always do when "hearing" a great character in a book.
I have mine... and it will be revealed in time...
manuthevif: Guillermo, Will Peter be directing Hellboy 3 at some point?
Guilermo del Toro: Offers have been made but he remains elusive- we will be in talks
soon.
swjedi18: Will be seeing The While Council in The Hobbit?
Peter Jackson: Hi swjedi18 - To early to say before the scripts are written but it is
definitely an idea we are discussing.
Peter Jackson: Now for Q7
Guilermo del Toro: There's a very good chance if the "gaps" are filled in some form in
either narrative. Too early...
WetaHost: 7 - how important is it to you to create overall consistency between
Peter's LOTR films and Guillermo's? in terms of the actors, look and
feel, scenery, score, fx -- is your aim to have them stand on their own
or sync up with the trilogy?
Guilermo del Toro: I believe that it’s a little bit of both- the world must feel like the same
world. The aspect ratio, music, essential established costume and
production design trademarks but I would love to bring a lot of new
flavours to the table. THE HOBBIT is, in essence, an overture to a
massive Symphonic work so main themes are reprised but new
modulations and new colors are introduced, thematically and
texturally.
Peter Jackson: I love Guillermo's symphonic allusion. The "overture" can have a
different flavour, a different texture, yet be a carefully crafted
introduction to what's to follow. Film Two is perfect to dramatise the
shift in Middle-earth that propells us into the dark days of LOTR. If
LOTR is World War One, then the Hobbit is like an Edwardian
adventure tale, set in the days before world notices the looming storm
clouds.
Junaid: Is The Hobbit harder or easier than LOTR to adapt as a script?
Peter Jackson: Hi Junaid - Both are equally difficult to be completely honest. The
Hobbit has its own unique problems, different to those of LOTR.
Guilermo del Toro: Not easy- I tell you that-
Peter Jackson: Here comes Q6 ...
WetaHost: 6 - Will Weta be releasing figures for this film like it did with Kong
and Narnia?
Guilermo del Toro: I would hope so!! I want them all!!
Galdor_Felagund: How does Christopher Tolkien feel about the two new films?
Peter Jackson: Hi Galdor - Christopher Tolkien did not wish to be involved in the
LOTR movies and I would assuem his feelings are the same with
these two films. I totally respect him for that since he is looking after
the legacy of his father's books and does not wish to be involved in
someone else's interpretation of those stories.
Peter Jackson: Here comes Q5
WetaHost: 5 - Having recently reread the Hobbit with my children, it strikes me
that the Hobbit contains a fairly linear story that doesn't necessarily
follow the "three act" formula typical of movies. What do you see as
the biggest challenge adapting the story to the big screen?
Guilermo del Toro: There are so many- I am all for trying to preserve every idiosyncrasy
the novel has- the very things that seem “unfilmable” and that – in my
mind- will make it thrilling as a film. The novel is much, much more
inventive and dislocated in its narrative (Bilbo being hit by a rock
during the Battle) than you may think at first. I think that you can
treat a classic like a museum piece –stuffed and mounted- or you can
make it a living, breathing narrative that is unfolding right then and
there.
Peter Jackson: Structure is important in film, but as Guillermo says, there's often
structure to be found in the most unlikely of places! It's quite possible
to build a structured story and retain idiosyncrasy. It's going to be part
of the joy of writing this.
Lukas-Eldarion Will you do another chat later on in the process?
Guilermo del Toro: Gladly- gladly- Im in!!
Peter Jackson: Hi Lukas - we would love to this has been a lot of fun. Let us just get
the last of the official questions out because we are working down to
the most popular ones in the final few
Peter Jackson: Now for Q4
WetaHost: 4 - Will Gollum play a role in the second film? If not, any plans to
find a different role for Andy Serkis? Because, and I think most will
agree with me, everything is better with more Serkis.
Guilermo del Toro: Yes! As all of you know, Gollum has a rather fascinating arch to go
through and his alliance to Shelob or his period of imprisonment in
Thranduil's, etc but it is early still- so early in fact that to reveal more
11
would tie our hands and be counterproductive.
Guilermo del Toro: There can never be "too much Andy"
Peter Jackson: Now for Q 3
WetaHost: 3 - Hello from New Orleans! What production challenges do you feel
will be different for The Hobbit and the sequel compared to the
experience of making The LOTR?
Peter Jackson: Yikes! Every film is a challenge. I always say that making a movie is
like film school - you're always learning. But unlike most schools,
you never get done with it. You never learn everything. Over time,
you get to anticipate problems a little better - but new ones hit you.
You get to figure out solutions, but there are always extreme
problems you could never guess.
One of the things I'm going to enjoy in this experience, is that I'll be
better placed to help anticipate the problems and fix them. When
you're directing, you're right at the coal face, always exhausted, often
emotional - and I'll enjoy being a couple of steps back from that and
simply helping where I can. Having done it 3 times as director, there's
a lot I know that can help smooth the way for Guillermo.
Peter Jackson: And we will now do 2
WetaHost: 2 - Hello Mr. Jackson and Mr. Del Toro! Thank you very much for
this time. My question is one that I think you will hear alot of from
many of us...from what material will you pulling the second movie
from? I know it'll be great with you two on board, but I am mighty
curious. I am a huge fan of both of you and I look foward to more
Tolkien films!
Guilermo del Toro: The idea is to find a compelling way to join THE HOBBIT and
FELLOWSHIP and enhance the 5 films both visually an in their
Cosmology. There’s omissions and material enough in the available,
licensed material to attempt this. The agreement is, however, that the
second film must be relevant and emotionally strong enough to be
brought to life but that we must try and contain the HOBBIT in a
single film.
Peter Jackson: I'm really looking forward to developing Film Two. It gives us a
freedom that we haven't really had on our Tolkien journey. Some of
you may well say that's a good thing of course! The Hobbit is
interesting in how Tolkien created a feeling of dangerous events
unfolding, which preoccupy Gandalf. There's an awful lot of incident
that happens during that 60 year gap. At this stage, we're not
imagining a film that literally covers 60 years, like a bio-pic or
documentary. We would figure out what happens during that 60
years, and choose one short section of time to drop in and dramatise
for the screen. I'm really interested in how it effects The Hobbit - do
we show what happens to Gandalg during his trips away? We'll see.
We may well have seeds for Film Two that we'll subtly sow during
The Hobbit.
Peter Jackson: Lets do a few more random questions before the final grand question.
WetaHost: Hi Guys my question comes in two parts. Firstly will we notice a
significant shift in visual style from LOTR to the Hobbit due to
Guillermo's unique asthetic? And if so will there be a complete reimagining
in the design of places seen in both books (ie Bag End and
Rivendell) due to this differing style?
Guilermo del Toro: GDT The basic designs, the preestablished designs will be only
“updated” insofar as the epoch difference. Half a century more or less
which in Middle Earth terms is not that much but- think about how
much our world has changed from – say 2001 to now… The new
settings and designs should blend in enough not to feel like a
completely different world but yes, the movies are bound to have
some distinctive stylistic imprint.
WetaHost: Gentlemen, a two part question. 1st, shooting on film or HD? 2nd,
scope or flat?
Guilermo del Toro: I normally use 1:85 but I thoroughly plan to respect Peter’s choice of
format used in the Trilogy (2:35:1) but it is my intention, for now, to
shoot this on film, not HD.
WetaHost: How will the new Gollum differ from the Gollum of the LOTR
trilogy, if at all?
Guilermo del Toro: Once again, only in the passage of time (he’s half a century
“younger”) but it will be Andy and the established design will be our
Template
WetaHost: Will the Mirkwood Elves be different from the Rivendell Elves of the
LOTR trilogy?
Guilermo del Toro: That is definetly my intention but I cannot reveal anymore at the
moment.
WetaHost: Considering that you're stretching The Hobbit into 2 movies can we
assume that Beorn will be featured and will not be given the Tom
Bombadil treatment?
Guilermo del Toro: I may be in the minority, but I absolutely LOVE Beorn and I intend to
feature him in the films. BTW I also like TB quite a bit…
WetaHost: I would love to know how you are going to deal with goblins in the
movie. Will they look like the smaller orcs in the LOTR movies or
are you going to make a completely new design?Also will everything
look like it did in the LOTR movies or will you be redesigning it to fit
your vision?
Guilermo del Toro: This is an area in which I hope we can expand and enhance a LOT
from the established designs in the Trilogy. I plan to come up with a
very strong, new treatment for the Goblins. I also think the Wargs
should be readdressed for their role in The HOBBIT.
WetaHost: One thing I love about watching movies from different film makers is
seeing their own visions put on screen. But since these HOBBIT
movies are being made to tie in with the LOTR series, does this mean
Mr. Del Toro's wonderfully imaginitive vision will be limited to
follow the rules set up by Mr. Jackson?
Guilermo del Toro: It is my privilege to roam through roads previously traced but I
definetly intend to take you to new and exciting places that the
Trilogy did not explore. Nevertheless it is our intention that, once
done, the 5 films will play like a symphonic work that seamlessly
transports you through this world.
WetaHost: Hi there,i'm Beren from Romania and i'd like to ask Mr. GDT if he
plans to use(as PJ did) extensive matte paintings and "big-atures" to
portray the vast panoramas and cities of Middle-earth or the more
simpler CG effects?Thanks and cheers.
Guilermo del Toro: Peter and I both love “old school” techniques. I adore physical
miniatures and try to use them as much as I can and have a bit of a
fetish about that. Matte Paintings and “Big-atures” will definetly be in
these.
WetaHost: Question for Guillermo, assuming they are all returning to write the
screenplay, will you be writing alongside Peter, Philippa and Fran
also?
Guilermo del Toro: I intend to. Their input in the literary creation of the screenplay is a
must. I depend on them and expect to spend many delightful months
wandering through Middle Earth.
Peter Jackson: Writing a screen play with a group of collaborators is like the Lennon
McCartney collaboration .... sometimes one or two people do more
than others on certain parts of the process and vice versa, it all comes
out in the wash and we share equal credit in what everyone has done,
with 4 of us we will be able to divide the work up in interesting ways
and everyone will be able to help craft these films.
WetaHost: I'd comment on the awesomeness of director choice, but I'm sure that
gets old. Concerning The Hobbit and the numerous Dwarves, I was
wondering if all of them are going to find their way into the film. In
Lord of the Rings, you had 9 in the Fellowship, but you had three
movies to flesh them out. In the Hobbit, you have 13 Dwarves and
one film to throw them all in. I'm definitely hoping to see all 13 make
their way in, but what are you doing about this?
Guilermo del Toro: Tolkien wrote 13 dwarves and I intend to use 13 dwarves. I am, in
fact, thrilled to keep them all and have them be distinguishable and
affecting as characters. Much of the drama and emotion in the last
third of the book and film will come from them.
WetaHost: Guiilermo, I have always thought of you as a visionary director, and I
love your work- could you please tell me what was the deciding
factor that made you agree to direct The Hobbit?
Guilermo del Toro: Of all of Tolkien literary work I was only familiar with THE
HOBBIT. I purchased it at age 11 and it struck a chord with me but,
back then, I failed to connect with the Trilogy and the Silmarillion
(Which now I find delectable) eluded me. I found them –unlike the
HOBBIT- to be “too dense” for my young mind. I dreamt of
Mirkwood and Smaug for ages (in fact, a Smaug-like dragon was
scripted as part of the “fairy tale” Ophelia narrates to her brother in
PANS LABYRINTH and was sculpted but was cut for budget
reasons) but when I saw Peter undertake the Trilogy I thought thet the
HOBBIT would never come to be for me. The proposition of
spending half a decade crafting these films received- as Peter will
atest- a 5 second “YES” from me. To people in my industry I’m
usually a guy that tries to generate his own projects and I remain very
elusive when people try and attach me to big projects. For decades I
have passed on films of enormous scope but this is a fantastic
privilege and I immediately said “Yes”.
WetaHost: My question is, when Del Toro has acknowledged his disdain for
Hobbits and "sword and sandals" fantasy, how can he do justice to the
movie? Why can't Peter direct it himself after The Lovely Bones? He
can direct these 2 movies and then direct the 3rd Tintin movie.
Guilermo del Toro: Okay- If by “Sword and Sandal” you mean “Sword and Sorcery” I
stand by the general lines of my statement in 2006. But allow me to
reproduce the following paragraph from ONERING.net and expand
it-
Since the age of 4 I became an avid reader and collector of books;
manuscripts, pamphlets, first editions, small press or worn-down
paperbacks... they all find a home at my library which has grown so
cumbersome and obtrusive that I had to move to a separate home
from the family one...
For many decades my main area of interest has been horror fiction:
Algernon Blackwood, Arthur Machen, MR James, LeFanu, etc and
classic Fairy tales and literature about the engines of Myth:
unabridged Grimm, Andersen, Wilde, Bettelheim, Tatar, etc
Now and then I indulge in Science Fiction (not hardware oriented but
more humanistic things) and thus I count Bradbury, Ellison, Sturgeon
and Matheson amongst my favorites.
My area of interest gets much narrower when we deal with another
genre... the genre that is shelved under Fantasy.
As a youngster I read Moorcock, Clark Ashton Smith, Lord Dunsany,
Lloyd Alexander, Fritz Leiber, Marcel Schwob, RE Howard and a
few others.
Nevertheless I was never propelled into an aleatory addiction to subgenres
like Sword & Sorcery or indiscriminate fantasies about
magical this or that- Like any other genre or subgenre there's a great
abundance that makes it hard to discern when a new "trilogy" or
"chronicle" comes from as genuine a place as Tolkien's or derives
from genuine fervor -religious or otherwise- like C.S. Lewis' did. But
here I am now: reading like a madman to catch up with a whole new
land, a continent of sorts- a Cosmology created by brilliant philologist
turned Shaman.
As if he grasped an existing universe outside our Platonic cave,
Tolkien channels an entire world, weaving expertly from myth and
lore. The oustanding virtue is that all this scholarly erudition doesn't
reduce his tales to mere Taxidermy. He achieves an Alchemy all of
his own: he writes new life in the freshly sculpted clay of his
creatures.
I have, through the years become familiar with the very roots of
Tolkien's myths and the roots of Fafhrd or Elric or Hyperborea and
many a time I have relished the intricate ways in which demonic
wolves, shape-shifter and spindly-limbed pale warriors can be woven
into those many tales that become, at the end, the single tale, the
single saga- that of what is immortal in us all.
In creating Pan's Labyrinth I drank deep of the most rigid form of
Fairy Lore and tried to contextualize the main recurrent motifs in an
instinctive rhyme between the world of fantasy and the delusions of
War and Politics (the grown man's way of playing make-believe) and
in re-reading THE HOBBIT just recently I was quite moved by
discovering, through Bilbo's eyes the illusory nature of possession,
the sins of hoarding and the banality of war- whether in the Western
Front or at a Valley in Middle Earth. Lonely is the mountain indeed.
When that statement was made- at different times during PANS
LABYRINTH’s promotion, many a time I made the distinctive call to
say that althought I had not read Tolkien outside THE HOBBIT I had
been fascinated by the Trilogy films. A statement that I already had
the chance to make in 2005 when PJ, Fran and I met about HALO.
So, no, generally I am NOT a “Sword and Sorcery” guy or a
“Fantasy” guy- By the same token, I'm not a sci-fi guy but I would
make a film based on Ellison in a second- or on Sturgeon or Bradbury
or Matheson. I'm not into Barbarians with swords but i would kill to
tackle Fafhrd and Grey Mouse... and so on and so forth... I'm a
believer but not a Dogmatic.
Allow me to put a final, finer point to our discussion. The aesthetics
of HELLBOY II are completely Pop and color-saturated, much more
comic book / modern than I would ever use in THE HOBBIT but- I
spend two years creating a world of Fairies, Elves, Trolls, etc
Two Years. A career / creative decision that precedes any inkling of
THE HOBBIT. I wrote the script years before I met with PJ or Fran.
In other words I dedicated the last 6 years of my career (between PL
and HBII) to create Fantastical world inhabited by Fairies, Fauns,
Ogres, Trolls, Elves, etc
In that respect- I guess I am a Fantasy guy when the particular world
appeals to me. Back in the Jurassic Period (1992 / 1993) when
CRONOS won the Critic’s Week at Cannes I was referred to as an
“art house guy”- I followed that with a giant cockroach movie that
proved successful enough to spawn two sequels and allow me to cofinance
THE DEVILS BACKBONE which send me back to being an
“art house guy”. Then I did BLADE II and people thought of me as
an “Action guy”- PJ went through a similar mercurial career with
HEAVENLY CREATURES, BAD TASTE, DEAD ALIVE, etc I
squirm away from a tag and I hope I can avoid being just a “Fantasy
guy” after PL, HBII and H…
I do the tales I love (regardless of what shelf Barnes & Noble
classifies the book under) and I love the HOBBIT.
I love it enough to give it half a decade of my life and move half a
world away to do it.
Peter Jackson: Having directed the LOTR Trilogy, I really felt that I put my heart
and soul into dramatising this world and story, only a few years ago.
The idea of going back in and essentially competing against my own
movies, seemed to be an unsatsifying way to spend the next 5 years.
However, I love Tolkien and care deeply about the movies we made. I
couldn't bear the idea of somebody else making them without our
involvement. Being a writer and producer is the perfect way for me to
work here. Guillermo has the ultimate responsibility of directing, and
for him it's easier to make these movies feel different, simply because
he's not me, and he therefore has an original vision, with new ideas to
offer.
Believe me, I thought long and hard about this, and what we're doing
here will result in better movies, I promise you. And that's all that
counts!
Peter Jackson: OK we are almost done here folks and we have our last Q which was
the most popular Q from the 1000s of people who sent Qs in advance.
WetaHost: 1 - Which of the actors from LOTR will be back to reprise their roles
in The Hobbit and its companion film?
Guilermo del Toro: Obviously, at this stage, the second film is still being figured out- so
the actors that have been approached may or not have appeared in the
HOBBIT as a literary work but still may appear in the second film as
it “blends” into the Trilogy and expands. Therefore what can be said
is: Unequivocally, every single actor that originated a role in the
Trilogy will be asked to participate and reprise it. If Health,
availability or willigness become obstacles – and only in that case
recasting would be considered.
Peter Jackson: Like Guillermo says, apart from extreme circumstances, we would
never recast a character who appeared in the LOTR trilogy. You can
read The Hobbit and pretty much see which characters play a part.
The unknown facter is Film Two, which we are still developing. If we
wished to write one of the LOTR characters into the narrative of Film
Two, we would only do that with that actors blessing, and willingess
to take part. Otherwise we'd take the writing in another direction.
Guilermo del Toro: Time is up-
But I can proudly say that only a FEW asked "How can I be an
extra?" so my heart swell withy pride with the many questions that
you were kind enough to submit- More chats and wandering in the
17
message boards await us- See you soon...
Peter Jackson: So that is it for us for this morning or this evening, or middle of the
night wherever you are. We are sorry that is all we could get through
but we did try to have each of the Qs represent similar things that
many of you have asked. So hopefully it gives you a little bit of info.
As I said the truth is there are a lot of unanswered Qs for us as well at
this stage of the process. We will know a lot more once the scripts are
written which is the next job that we will be doing and it will take
most of the rest of this year I imagine. Hope this has been helpful and
thank you for all the incredible support now and in years gone by.
Best wishes, Peter J.
Guilermo del Toro: May the hair on your toes, etc-
Peter Jackson: The transcript of this chat will be available here on the Weta site in a
few hours time. Everyone here at Weta is looking foward to
continuing this relationship with you throughout the hobbit
experience and there are a lot of fun surprises to come over the next 4
years.
Guilermo del Toro: Viva WETA and the many "toys" they make! And may Cthulhu give
me more shelves to put them on...
Comment on “Jackson And Del Toro Chat Up The Hobbit With Fans”
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